Gloria Sol Hanging Out. Please, can someone tell me titles of this two wonderful music tracks in this movie Penlope Cruz is a Spanish born actress who started off her career in Spanish cinema, which led to her becoming an international success with the movie All. Penlope Cruz knows how to work her gorgeous figure. The Spanish actress has made a name for herself in Hollywood with roles in films like Blow, Nine. Penelope Cruz, Kate Winslet and Julia Roberts sing together at Lancome event. April 2. 2, 2. 01. BSTby Sophie Hamilton. Penelope Cruz Spanish' title='Penelope Cruz Spanish' />Hollywood actresses Penelope Cruz, Kate Winslet and Julia Roberts give fans a treat on social media as Penelope shares fun video of the three friends singing along to I Say A Little Prayer. Penelope Cruz gave fans a rare treat this week when she shared a fun video to her Instagram page, which quickly went viral. The clip showed Penelope, 4. I Say A Little Prayer with her fellow Hollywood actress friends Kate Winslet and Julia Roberts. The ladies, who looked extremely glamorous, were attending Lancomes Stars Wonders dinner party in Monaco on Wednesday. Penelope and Kate, 4. PenelopeCruz2.jpg' alt='Penelope Cruz Spanish' title='Penelope Cruz Spanish' />Pretty Woman star Julia opted for a sassy black suit and white shirt. The video begins with Penelope sitting alongside a male companion and singing along to the famous song. The actress then stands up and walks through the dining area to find her friends, Kate and Julia, who take turns singing for the camera. Penelope captioned the snap katewinslet juliarobertsmarcuspiggott isayalittleprayerforyou. Fans were quick to comment on the behind the scenes clip, with one writing I love this videoU should always make more vids like this. Another follower said Wow, amazing Love you, Penelope The video got nearly 2. Penelopes Instagram page. READ Kate Winslets yoga trainer Niki Perry shares the top 3 moves to revive and energise. The star also posted a photo of herself with Julia and Kate on the red carpet, and wrote Last night with these amazing ladies juliarobertskatewinslet lancome. Thank you alexandervauthier for the beautiful dress. One fan commented 3 of the most beautiful women in the whole world, while second wrote, No one can beat them, best three actresses of all times. I adore them way too much. Penelope is married to Spanish actor Javier Bardem. The famous pair married in 2. Kate Winslet has been married to Richard Bransons nephew Ned Rocknroll since 2. Bear Blaze. Julia meanwhile, married cameraman Daniel Moder in 2. Hazel Patricia and Phinnaeus and a nine year old son. Penelope Cruz and Javier Bardem in Loving Pablo Variety. For interested viewers who attempted the first two seasons of Netflixs celebrated cartel drama Narcos but felt it lacked a crucial touch of telenovela, Loving Pablo should do the trick in just over two hours. Long, loud and lurid, with a distinct whiff of week old quesito colombiano, Fernando Leon de Aranoas pulpy Pablo Escobar biopic promises an alternative spin on familiar material by taking the perspective of the drug kingpins glamorous journalist lover Virginia Vallejo. Yet she turns out to be as stock a presence as anyone else in this blood spattered chunk of cartoon history, which reduces her life and Escobars alike to bullet points punctuated by bullet holes, strung together by her excessive, over explanatory narration. The enlivening presence of Spanish cinemas real life first couple, Penlope Cruz and Javier Bardem, in the leads gives Loving Pablo a clear international selling point, though both are colorfully slumming it. Colombians dont switch on their TVs to see me, but what Im wearing, says Vallejo, a once popular investigative anchorwoman whose career was ultimately brought down by her association with Escobar at the zenith of the Medellin Cartels grisly reign. Its an admission that inadvertently encapsulates the chief appeal of Loving Pablo as an exercise in garish true crime dress up From the second Cruz appears on screen in the first of the films 1. Leon de Aranoas script follows suit, feeding her the lines of a soap opera empress This is the first time I ever had to leave a country because of a man, she muses wistfully off camera as she flees to the U. S. under the DEAs protection, presumably between nonchalant swigs of Cristal. Leon de Aranoa lifts much of this material from Vallejos 2. Loving Pablo, Hating Escobar, a Spanish language bestseller on which he leans rather too heavily, excerpting entire passages as needless voiceover to self explanatory scenes. Pablo introduces me to his associates in the cartel, she helpfully explains as we see Escobar introducing her to his associates in the cartel, shortly after they meet and are instantly drawn to each other at a glittering party on the Escobar estate in 1. He shows me off like a trophy, she continues, as he shows her off like a trophy. Such prosaic writing is further flattened by frequently stilted translation, as accented English dialogue dominates the bilingual proceedings a questionable decision given the pics primarily Spanish and Latin American commercial appeal, and its somewhat ersatz effect on the stars otherwise brash, lively performances. Vallejo and Escobars cash cushioned affair at the cocaine lords high rolling peak is depicted in largely surface level terms of material excess and smoldering flirtation, but were rarely given any insight into more intimate realities of their relationship. If youre going to cry over a man, better to do it on a private jet than on a bus, she advises us, and this is about as close as the film gets to her emotional truth. The obvious natural resource of Cruz and Bardems tinderbox chemistry is thus only superficially plundered. Otherwise, Loving Pablo has little genuine interest in a feminine perspective on grimily masculine criminal games. Much of the film requires Vallejo to be an omniscient narrator to chapters of Escobar lore in which she played no direct part. The films middle act delves into his ill fated foray into politics and the state of national emergency that follows his congressional downfall, as the cartel and the government engage in a massacre level exchange of power plays all material that weve seen detailed more substantially elsewhere, not least in the aforementioned, still fresh Narcos. A harrowing montage of policemen and adolescents being alternately shot in the head, for example, may bring a stomach churning degree of reality to proceedings, but doesnt really mesh with the glossier saga of Vallejos growing endangerment, nor the sketchily developed subplot of her long term courting by DEA agent Shepard Peter Sarsgaard. The script would have us believe that their eventual collaboration was fueled by an underlying sexual attraction, though nothing in the way it plays out between Cruz and Sarsgaard supports such a notion, with the latters papery, by the book character giving the actor little scope for inspired riffing. Hes certainly no match for the menacing brute charisma of an extravagantly latexed, paunch burdened Bardem, also one of the films producers. The star may not give the most nuanced reading of Escobar out there, but for the films broad purposes, plays a suitably carnal, corrupt beast to Cruzs increasingly terrorized, Thierry Mugler clad beauty. Neither, it has to be said, gives the best performance in the film That distinction goes to Julieth Restrepo as Escobars significantly less diva tastic wife Victoria, a bastion of quiet, frayed nerved feeling amid the larger gesticulating around her. Working in a far less refined, humane register than in his and Bardems acclaimed 2. Mondays in the Sun, Leon de Aranoas predominantly functional direction comes most alive in his handling of the films big ticket action sequences a deafening, panic inducing helicopter raid on a gone underground Escobars jungle hideout, climaxing in Bardems stark naked flight into the foliage, or a spectacular highway hijacking and airplane cocaine drop that wouldnt be out of place in Doug Limans recent, incidentally Escobar themed adventure American Made. Syn Flood Tool Windows 7 there. Fast on its feet and cranking up the hot Colombian colors to eleven, Alex Catalns cinematography embraces the predominant comic book spirit of the enterprise. First honors in that department, however, go to Ma Dolores Garca Galen and Wanda Moraless eye searingly fabulous costumes, which ensure that even at the films most fraught interludes, Vallejo never has to run for her life in substandard heels.